Metropolitan Museum of Art

For Immediate Release

Exhibition Celebrating Late Renaissance Master
Perino del Vaga at Metropolitan Museum

Exhibition dates:  September 27, 2011–February 5, 2012
Location:              Robert Lehman Wing, main floor
Press preview:     Monday, September 26, 10:00 a.m.–noon

Perino del Vaga (Pietro Buonaccorsi, 1501-1547), a pupil of Raphael, was a leading innovator of the late Renaissance style known as Mannerism, and one of the most influential Italian artists of the 16th century. The Metropolitan Museum of Art recently acquired a painting and a drawing by the master, and they will both be featured in Perino del Vaga in New York Collections, on view from September 27, 2011, through February 5, 2012. The new acquisitions will be seen alongside some 18 drawings by the artist from the Metropolitan Museum, the Morgan Library & Museum, and private collections, as well as a second painting from a New York private collection.

Perino del Vaga in New York Collections will represent every phase of the Florentine-born artist’s career, from his firstdecade in Rome, when he emerged as the preeminent fresco painter in the city in the wake of Raphael’s death in 1520; to his years in Genoa as court artist to Andrea Doria; to his final decade in Rome, when he worked primarily in the service of Pope Paul III Farnese, designing frescoes, stucco, silver and other precious objects, and embroideries.

The centerpiece of the exhibition will be the Holy Family with the Young Saint John the Baptist, a recently discoveredmasterpiece that dates from Perino’s early years in Rome (ca. 1525) and is an exceedingly rare example of his activity as a panel painter. Fewer than 10 independent paintings by Perino survive, so the recent appearance of this previously unknown work is nothing short of extraordinary. The painting has been newly restored, revealing the original colors and giving insight into the artist’s painting technique. It will be featured with the Metropolitan Museum’s other recent acquisition by the artist, which is an outstanding, highly finished drawing of Jupiter and Juno reclining on a marriage bed. A study for an important lost tapestry commissioned in the early 1530s by Admiral Andrea Doria, commander of the papal and later the Imperial fleet and ruler of Genoa, this brilliant sheet is one of the artist’s most celebrated drawings and a consummate demonstration of his renowned gifts as a draftsman.

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